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One morning this Paris Fashion Week, I found myself making some unusual plans. I was one of few editors on the ground during the city’s first shows post-lockdown. Unlike the traditional schedule I know like the back of my hand, everything suddenly felt like a first. That morning, I had a nonsensical realization: In order to watch the digital Balenciaga presentation and make it to my physical Givenchy preview, I had to get in my car an hour ahead of time, park outside Givenchy HQ, watch the Balenciaga film on my phone, conduct my usual backstage interview with Demna Gvasalia over email, and head straight into Givenchy. There, I saw with my own eyes a collection my colleagues largely experienced through previews over Zoom. I bet they couldn’t see the embroideries very well.
Obviously, I wasn’t solving quantum physics, but the planning required to navigate watching a show on a phone in a car still blew my mind. It was just one of many surreal experiences during a week filled with apocalyptic rain and this recognition: if you want to get down with this new “phygital” fashion world of ours, there’s no time to ease into it. Quite literally, there is no time! Between physical shows, distanced appointments, face mask changes, hand-sanitizer sessions, livestreams, 30-minute feature films, video calls and email interviews, the post-pandemic fashion industry hasn’t optimized—it has accelerated. After all that lockdown talk of slowing down the system, we’ve somehow managed to speed it up, at least as far as fashion week is concerned.
The normalization of video calls means that our typical 10-minute backstage chats with designers have now expanded into 30-minute in-depth interviews. It’s time-consuming, but it’s also amazing. After his show was live-streamed from Venice, Rick Owens FaceTimed me while walking home to his apartment on the Lido. We talked about the show (“Venice has a history of quarantine, a history of masks”), about his time in confinement (“Michèle and I did LSD and mushrooms”), and whatever else came to mind. Post-show interviews are no longer straight-to-the-point, but connective and cathartic. Similarly, my exchanges with Demna Gvasalia over email were unlike any backstage exchange we’ve ever had. While the look’s versatility was compelling, its strong suit (pun intended) was the price. At just 65 dollars in total, her low-key power suit is an affordable option for anyone seeking an all-business outfit that won’t break the bank. If it’s good enough to be photographed by dozens of paparazzi, surely it’ll look as appealing during your next Zoom call.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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